In the digital age, where smartphones have become the primary tool for capturing memories, the art of printed photography is facing an uncertain future. But in the heart of Belfast, a dedicated camera club is determined to keep this traditional form of art alive. The Central Photographic Association (CPA), Northern Ireland's oldest camera club, is on a mission to preserve the history of print photography, despite the decline in its membership and the rise of digital imaging.
The club, founded in 1906, has witnessed a significant drop in its membership over the decades. Vittorio Silvestri, the president, laments the dwindling numbers, especially among the younger generation. He believes that while smartphone technology has made photography more accessible, it has also contributed to the decline in print images. In his words, "We're losing a bit of history" because of the shift towards digital.
Silvestri's concern is not unfounded. He points out the difference between the quality of phone images and expert prints. While smartphones offer convenience, they lack the technology to produce prints of the same caliber as conventional cameras. This, he argues, is a critical aspect of photography that is being lost.
However, the CPA is not giving up without a fight. To mark its 120th anniversary, Silvestri has compiled a photobook featuring the work of past and present members. This initiative not only serves as a record of the club's history but also as a way to preserve the art of print photography. The book, with 120 photographs printed by Silvestri, is a testament to the club's commitment to keeping this tradition alive.
The photobook is more than just a collection of images; it's a historical record. Members have provided written histories alongside their photos, ensuring that the stories behind the images are not forgotten. This effort is crucial in a world where digital records can easily be lost or forgotten.
Robert Sergeant, a member of the CPA, shares Silvestri's passion for printed photography. He appreciates the physicality of printed material, which he believes is more engaging than a phone screen. In his words, "It's nice to see that printed material. It's something you can throw on the coffee table, and if people come in to the house, it's much easier letting them see something physical than having to drag out a phone and saying, look at this."
The club's reliance on printed material extends beyond personal enjoyment. It plays a vital role in competitions, where print submissions have traditionally been favored. While digital submissions are now more common, the CPA remains open to both, ensuring that the art of print photography is not completely lost.
Despite the challenges, Silvestri remains optimistic. He believes that the club provides an excellent learning environment for young photographers. In his view, "There's no better place to learn how to use a camera than a camera club. When you're in a club, there'll be somebody that will mentor you, that will buddy you and will take you along your journey using your camera."
The CPA's efforts to preserve print photography are not just about nostalgia; they are about ensuring that the art form remains relevant and accessible. By encouraging young people to join and providing a platform for their work, the club is helping to keep the tradition alive. In a world where digital is king, the CPA is a reminder that the art of print photography still has a place and a purpose.
As the club continues its journey into the future, it serves as a beacon for those who appreciate the tangible and the traditional. In my opinion, the CPA's dedication to printed photography is a testament to the enduring power of this art form. It is a reminder that in a world driven by technology, the human touch and the physicality of printed images still hold immense value.
